![]() Well, it's actually called Hot Sluts Rated R. which I'm a fan of already from the title. I've heard you have a new web series that you're developing, which I believe is called Hot Sluts. I think those are two big backstory things for Kuzzik. Whatever title he has, the word assistant is there. He's probably middle management, if not less. like I don't think he's a salesman, or anything where he's kind of in your face. I think it's something, whatever it is, it's very subdued. ![]() I want to say he worked at like a video store, but that's not it. I was talking about this with Matt (Walsh) and Ken (Jeong). So, for your character Kuzzik, we don't really see him outside of the battlefield, so did you actually develop a backstory for him? What he actually does when he's not there? Or would you speculate on that? It was just like, 'Wow.' It was definitely a change. It was kind of cool to see him in American Pie. He ran with the popular kind of crowd, but he was more introverted than you'd expect. Was he kind of like the outgoing, party animal in high school? He's certainly come a long way from Minnesota. That's certainly something that comes with time and that really helped things go easier. It's easier with the shorthand that you have, a little reaction of you know you're going to make this pause and you know they're going to fill it with something. I guess not so much with Chris, since I just got to know him in the past two movies, but I'm speaking more in terms of Paul (Rudd), Ken (Marino), David (Wain), people I've known for awhile. It's always terrific to work with people you know, because not only are you comfortable with them, but there is also a kind of shorthand that develops. He definitely had quite a challenge to break out of McLovin and I think he did a great job of breaking out of the clichéd teenager. ![]() For a kid his age, he has a good sense of improving and sort of being in the scene. He's really developed into quite a star, so how did you like working with him? You didn't really have any scenes with Christopher Mintz-Plasse in Superbad, but you have most of your scenes with him in here. ![]() If you can get people laughing, cast or crew, you're going to have a good end product. That's always something that will help a movie and I've been lucky enough to have been able to work with some incredibly talented, collaborative comedy people in all of the stuff that I've been in. What I found most fun is just trying to get other people to crack up. David and Ken, who I've known since I was 17, it was terrific working with those guys and David is terrific working with as a director too, because so much of the vibe emanates from the director and he's a very grounded guy and a very collaborative director who encourages lots of ideas to come off the set, from everyone really, but especially from his actors. It's such a rare opportunity that one has to work with one's friends, so it was great. So I had been familiar with the project for awhile and I was very excited, once again, to work with all three of them because they are all good friends and terrific collaborators. Paul Rudd had done a pass of it and I had heard about it then, and then Ken Marino and David Wain came on and the three of them worked on it. Joe Lo Truglio: It's not something that he wrote for me, but I had heard about the project pretty early on. Timothy Dowling (story) (screenplay), W.You've been working with David Wain for years now, so was this something that he wrote for you, and when did you first hear about the project? Wild behavior forces a pair of energy drink reps to enroll in a Big Brother program. Budget and Box office collection of Role Models (real-time).
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